The Source555 Pennsylvania Ave., NW
Washington, DC 20001
202-637-6100
(Map)
A three part essay:
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The Source is the latest in the string of area restaurants opened by out-of-area corporations featuring celebrity chefs as their public face. It follows Olives, Lespinasse, Charlie Palmer Steak, and BLT Steak, among others.
When you go to The Source right now, you’ll see Klaus Puck — Wolfgang’s brother — as the face of the dining room. Will he be there a month from now? Will he be there six months from now?
I remember when Le Paradou opened at the end of March, 2004. Many people were eager for Tom Sietsema’s review to arrive. And yet Tom waited, and waited, and waited some more — it wasn’t until the beginning of October when the review was published, six full months after the restaurant opened. His reason? He wanted to be absolutely certain about Le Paradou before issuing such an important review.
The Source is getting a lot of buzz on the internet right now, but one must wonder how much of this initial enthusiasm is due to the opening team putting on a full-court press during review season. How will they be in six months? More importantly, how will they be in two years?
Restaurants opened by experienced corporations have a much easier time front-loading their quality from the very first day they open; it’s the mom-and-pop operations who are particularly susceptible to fumbling and making big mistakes early on.
The biggest favor Tom Sietsema and Todd Kliman can do for the dining public would be to take their sweet time in issuing their reviews and star ratings for this restaurant. The days of scooping the internet are over, but what the major publications have is the ability to be definitive, to be the reviews of record, the reviews that will be sitting on the windows of the restaurant in 2010. That is a big, big responsibility, and one that should not be rushed just to get the story out first.
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On the menu at The Source, “Kobe beef” is listed three times: as a sixty-dollar steak, as thirty-four-dollar short ribs, and as sixteen-dollar “sliders” on the lounge menu.
I asked my server where they got their Kobe beef, and was told that it came from Idaho — presumably from Snake River Farms, which is a major purveyor of products made from Wagyu cattle.
But “Kobe” is a controlled appellation in Japan, and all Wagyu beef labeled Kobe must meet the extremely strict production standards used in that prefecture — it is for this reason, and this reason alone, that real Kobe beef can cost several hundred dollars a pound. And it’s worth it, too.
Many restaurants flaunt American Wagyu beef as “Kobe,” so I don’t believe any laws are being broken. Nevertheless, it is, at best, misleading and irresponsible for any restaurant — certainly one at this level — to be engaging in this marketing tactic.
As long as American Wagyu is listed on this menu as Kobe, there’s a very simple answer to the question: Where is The Source?
The Source is in Idaho.
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The upstairs menu is available in the downstairs lounge, but only if the restaurant can handle the load on any given evening, so there are no guarantees.
A glass of 2004 Joseph Matrot Meursault ($22) makes a fine aperitif, but I would council having this before dinner, as much of the menu’s Asian influence might mask the nuances of this subtle, well-balanced Chardonnay.
Roasted Suckling Pig ($16) is three rectangles of pork, each served skin-side up and perfectly crisped on top. Sitting atop a little pool of plum-fig chutney, it cried out for a glass of 2004 Les Cailloux Chateauneuf-du-Pape ($25). The pickled cippolini sounded intrusive, but was a dazzling addition to the dish, one tiny little onion-round sitting atop each piece of pork, absolutely masquerading as a little piece of pork fat. It was clever, subtle, and brilliant. The menu also lists “sweet bean” as part of the dish, but unless it was a component of the chutney, I didn’t find it. I loved this dish, and would get it again, absolutely.
I opted for the Yuzu-Ponzu sauce with my ”Wok-Fried” Whole Sea Bass ($40), which came with steamed jasmine rice, although brown rice is an option. Presented whole, and expertly filleted and carved tableside, this was another beautifully crisped dish, the flaky meat being a touch overcooked, but well within the range of being a good wok job. This is a lot of money for a mid-Atlantic sea bass, but the cost is mitigated by a glass of 2006 Wieninger Riesling ($12), which works decently with the ponzu sauce. I won’t rave about this dish, but you’ll hear no complaints from me, either.
There are a couple downsides to ordering from the bar downstairs. The roasted suckling pig would have benefited from a small, sharp knife which it’s undoubtedly served with in the upstairs restaurant; the one I had was huge, metallic, and very cold at the handle. The tableside carving of the sea bass took five full minutes (and was a very well-done, thoughtful job), but the carver was forced to leave the upstairs restaurant, and due to space constraints needed to walk down to the end of the bar to perform his handiwork. Nevertheless, I really, really appreciated the trouble they took in presenting the whole fish, and carving it nearby, rather than simply doing it in the kitchen — it was an amazing touch that far exceeded anything I could reasonably expect while sitting at a bar.
Total cost for three glasses of wine, an appetizer, an entrée, tax, and tip: $151.50. This is a lot of money, obviously, but the service was fantastic, I dined well, and I left happy.
